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  1. Natural, Harmonic, and Melodic—that use different intervals between the seven notes. It may sound confusing, but it’s pretty easy once you understand how the scales are constructed. In this guide, we’ll look at all three types of minor scales and show you how to construct them, starting on any note. What Are Minor Scales?

  2. Unlike major scales that are built with only one form, or pattern, of whole steps and half steps, minor scales appear in three different forms, and it is worthwhile to learn all three fluently. NATURAL MINOR: no alterations (exact same notes as the relative major)

  3. One challenge in learning minor scales is distinguishing between their subtle differences, especially when transitioning from natural to harmonic or melodic forms. To overcome this, focus on ear training exercises that highlight these distinctions.

  4. 23 lut 2013 · A harmonic minor scale differs from a natural minor scale in that the seventh note is raised one semitone. Melodic minor scales raise both the sixth and seventh notes one semitone when ascending, but when descending, the sixth and seventh notes are flattened, producing the natural minor scale. [..]

  5. A harmonic interval can refer to two different single notes sounded together to create two-note harmony. Or harmonic interval can refer to two different successive chords (the harmonic equivalent of a melodic interval), usually called a chord progression, as you’ll find out in Chapter 6.

  6. 24 lut 2024 · The Differences Between Natural, Harmonic and Melodic Minors. Let’s do a quick recap of the three types of minor scales. Natural minors: Are the same ascending and descending; Use the formula T – S – T – T – S – T – T; Harmonic minors: Are the same ascending and descending; Use the formula T – S – T – T – S – T1⁄2 – S

  7. 29 sie 2010 · Next, they denned Melodia as “a succession of sounds, according to time, measure, and cadence;” and, thirdly, Symphonia as “differing only from Harmonia and Melodia in that its sequences were limited to such intervals as would make up Fourths, Fifths, and Octaves; and that it did not permit any intermixture of Seconds, Thirds, Sixths, or ...

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