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Changes Lyrics & Meanings: Oh, yeah / Mmm / / Still don't know what I was waitin' for / And my time was runnin' wild / A million dead end streets and / Every time I thought I'd got it made / It seemed the taste was not so sweet / So I turned myself to face me / But I've never caught a glimpse / How the others must see the faker / I'm much too ...
23 kwi 2024 · One of his most iconic songs, “Changes”, released in 1971, is a timeless anthem that still resonates with people today. The song’s lyrics reflect on the inevitability of change, and how it’s a natural part of life that eventually happens to everyone.
1 sty 2024 · By repeating ‘ch-ch-ch-ch-changes,’ Bowie mirrors the stuttered steps of growth, the halting, repetitious attempts to adapt. The phrase ‘turn and face the strange’ challenges listeners to confront the uncomfortable, to become agents rather than bystanders in their own evolution.
The lyrics of "Changes" reflect this, with the first verse focusing on the compulsive nature of artistic reinvention and distancing oneself from the rock mainstream. The second verse concerns clashes between children and their parents, urging them to allow their children to be themselves as teenagers, a topic Bowie had spoken out about before.
3 lut 2021 · Changes was released as a single in January 1972, but failed to chart in the UK, and in the US it made it only to No.66. But it became a staple of FM radio, and in Bowie’s live sets, evolving through different arrangements as his stylistic calling card. As the lyric says, he was always ‘much too fast to take the test’ of being pigeonholed.
Changes Lyrics: Oh yeah / Mmm / Still don't know what I was waiting for / And my time was running wild, a million dead-end streets and / Every time I thought I'd got it made / It...
5 gru 2018 · The song’s lyrics touch upon artistic reinvention and generational divides, major themes for Bowie as the 1970s unfolded. The opening lines – “Still don’t know what I was waiting for/And my time was running wild/A million dead end streets” – perhaps refer to Bowie’s various artistic dead-ends during the 1960s, where his efforts to ...
