Search results
Dziga Vertov was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. He is known for his innovative filming practices and theories, such as Kino-Eye and Man with a Movie Camera, and his influence on cinéma vérité and the Dziga Vertov Group.
Dziga Wiertow (ros. Дзи́га Ве́ртов), urodzony jako Dawid Abelowicz Kaufman, nazwisko potem rusyfikowane na Denis Arkadjewicz Kaufman (ur. 21 grudnia 1895? /2 stycznia 1896 w Białymstoku, zm.
Dziga Vertov polski reżyser, urodzony w 1896, znany z Człowiek z kamerą filmową, Lenin - karty życiorysu, Entuzjazm. Symfonia Donbasu. data urodzenia: 2 stycznia 1896.
Man with a Movie Camera [1] (Russian: Человек с киноаппаратом, romanized: Chelovek s kinoapparatom) is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the eponymous Man of the film.
Dziga Vertov was a Soviet motion-picture director whose kino-glaz (“film-eye”) theory—that the camera is an instrument, much like the human eye, that is best used to explore the actual happenings of real life—had an international impact on the development of documentaries and cinema realism during.
Dziga Vertov, dir. Peter Konlechner (director of the Austrian Film Museum), 60 min, 1974. Includes footage of Svilova commenting on the excerpts from Vertov's films and their cooperation. Dziga i yego brat'ya [Дзига и его братья], dir. Evgeny Tsymbal, 2002.
Learn about the life and work of Dziga Vertov, one of the greatest filmmakers in history and a pioneer of documentary cinema. Explore his films, newsreels, writings and documents from the Austrian Film Museum's online collection.
