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5 lip 2024 · In the museum’s long, narrow space, curator Qu Chang sought to tell the story of China’s rapid development and modernization in the 1990s with art pieces that explore personal experiences amid the soaring high rises and constant building.
As it entered the 1990s, the world of Chinese art was no longer under the impact of New Wave art or the confusion brought about by Western modernist art. Instead, it confronted changes in artistic concepts and values engendered by the commercializa-tion of art within a commodity economy. A few years earlier, popular topics in the art
Often presented as the moment of globalization for Chinese art, the decade of the 1990s is well-known for its major survey exhibitions of avant-garde art in Western museum institutions, the meteoric rise of the art market and attention for diasporic transcultural Chinese artists.
Avangyarudo Chaina: Chūgoku Tōdai Bijutsu Nijūnen = Avant-garde China: Twenty Years of Chinese Contemporary Art, Exhibition Catalogue. Osaka: Kokuritsu Kokusai Bijutsukan (The National Museum of Art), 2008, pp.178-84.
14 sty 2016 · Chinese contemporary art—abroad in the 1990s—often fought exoticism with alienation and vulgarity with obscurity, while it pursued of liberation on its own terms in material and concept. Contemporary art tried to deconstruct the various logics applied to it with the methodologies of pop art, breaking the boundaries between art and life in ...
15 lip 2020 · In the 1990s contemporary Chinese art developed under the context of globalization and urbanization. When Political Pop and Cynical Realism reacted indirectly to the 1989 Incident in an opportunist or escapist way, building a Chinese art market became a greater goal for some critics and artists.
7 sie 2014 · Arts academies were critical to the dissemination of knowledge about contemporary art practices, and a lecture in 1990 by Ernst Mitzka presented artists in China with one of the first opportunities to see and learn about video art’s then-thirty year history abroad.