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As the arts increasingly depend on private and corporate funding, questions arise about how closely artists and institutions should examine the sources of finance.
1 gru 2016 · What role do these underestimated yet more and more numerous intermediaries play in achieving pop artists’ recognition? Statistical data show a strong relation between the amount of symbolic capital of artists and having at least one of these intermediaries work for them.
In this system single figures (understood as specific actors in a field) with a lot of economic or cultural capital can through their recognition “make” an artist, as for example happened for Louise Bourgeois through the gallery Hauser & Wirth, but these “discoveries” often follow recommendations by other artists from an inner circle.
31 gru 2019 · The authors analyze how different financial modes matter to the creativity of artists—whether they facilitate or interfere with the creativity that leads to artistic achievements.
8 lip 2022 · Perhaps the market should be opened up radically, with artists holding stakes in works and profiting each time they are sold. Instead of trying to stop speculation, they should ride the wave.
11 sie 2017 · We think of museums as trustees of a nation’s cultural capital. Curators choose and preserve artefacts for the benefit of future generations.
The implications of cultural capital and artistic disposition for professional credibility (Smith Maguire, 2015) are evident in the expression of where cultural capital lies within definitions of how the artists self-referentially define their “audience” as an insider group, who require a degree of cultural capital to have an opinion which ...
