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  1. 31 paź 2013 · Graffiti is a form of expression, and artists should be free to make their thoughts and beliefs public. Serving as a way to avoid violence, graffiti is an outlet for many to express their feelings. Making street art illegal limits the freedom of artists to create influential masterpieces.

  2. 28 maj 2021 · The debates canvased over this time can be organized as (1) defining artists as human capital, (2) studying cultural amenities, and (3) examining the role of art around the city. This analysis uncovers some of the themes, methods, and places articulating these academic debates and identifies pivotal overarching economic, symbolic, and social ...

  3. An appreciation of modern styles of art (i.e., abstract, non-figurative art, in opposition to traditional art) is positively correlated with social-stratification variables, such as education and family cultural capital. Traditional art, being the most comprehensible for almost everyone, does not serve the function of an emblem of social ...

  4. 14 wrz 2021 · “On the one hand, it’s a capitalistic appropriation of transgressive graffiti into commercialized street art,” Illescas said. “But it also ties into the efforts of graffiti writers who have been pushing for years to decriminalize their art and demonstrate its artistic and social value and the types of knowledge that it brings with it.”

  5. 27 lis 2020 · As OHCHR states, “artists may re-appropriate national symbols, religious figures or socio-economical signs such as corporate brands in their art as a response to the narratives promoted by States, religious institutions or economic powers,” and such actions should be protected (UN OHCHR 2013, p. 8). However, governments often restrict such ...

  6. 4 mar 2022 · The creative sector has gained recognition as a generator of jobs and livelihoods, and for its promotion of cultural inheritance and social capital. Creative industries not only contribute significantly to GDP (in direct measurable ways) but also employ the most vulnerable in the community.

  7. Objectified cultural capital includes writings, paintings and sculpture. However, to enjoy these one also needs cultural capital. Cultural goods can be acquired materially or symbolically. A symbolic acquisition would be, for example, having power of control or acquiring something on paper.

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