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31 gru 2013 · The goal of this chapter is to review contemporary empirical research on music and emotion primarily within music psychology. We begin by commenting on the recent history of the field.
7 kwi 2024 · By integrating theory and data from multiple domains, we present the Framework for Adaptable Musical Emotions (FAME), which explains emotional responses to music through the mechanism of emotion adaptability on a continuum of evolutionary to fleeting time frames.
The Handbook of Music and Emotion offers an up-to-date account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth.
30 sie 2001 · Abstract. The position of emotion in music has been a subject of considerable interest and debate. However emotional aspects of music have received surprising little attention in the 45 years...
1 sty 2010 · It provides coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology.
Music theory provides technical descriptions of how styles organize musical sounds and offers insights about musical structures that might underlie listeners' expectations. Cognitive science has recently influ enced music theory. A major devel opment is Lerdahl and Jackendoff's (1983) generative theory of tonal music and its recent extension in
This article explores how various theories of music and emotion compare to major psychological emotion theories. The psychological literature is governed by 4 theories of emotion: basic emotions theory, appraisal theory, psychological construction theory, and social construction theory.
