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  1. The Pogues’ Music” performs an analysis of text and intertext in music, based on contemporary theory of popular music, cultural studies, and Irish studies, largely through the concepts and observations of Ruth Adams,

  2. 3 mar 2023 · Music is a source of cultural understanding and a site for cultural exchange. As a multimodal activity that invites cognitive, emotional, social, and physical engagement, music provides an embodied and situated experience that is deeply intertwined with cultural traditions and attitudes (DeNora, 2000).

  3. 24 paź 2023 · This article examines the relationship between music and sociological thinking. Antoine Hennion has shown that learning to play music involves an immersion within a culture that has rules, languages and rituals and as a result ‘music is a form of sociology’ (Hennion 2020, 292).

  4. 20 cze 2017 · Music: Its Language, History, and Culture provides a comprehensive review of the development of musical genres through the ages from early periods through the classical, baroque, romantic, folk, jazz and hip hop eras with historical references in each era to provide a better understanding of cultural timeframes.

  5. 14 sie 2018 · The society in which we live thus has great import when we consider how to teach music. In unpacking this notion further, research in the field of ethnomusicology provides detailed analyses that explore the interaction and unique relationship that exists between music, culture, and society.

  6. A great mix of traditional and contemporary musical cultures from Europe, Africa, North America, South America, Oceania, East Asia, South Asia and the Middle East are analyzed in a consistent format (including historical background together with music examples, followed by a brief listening guide).

  7. 25 cze 2020 · Ethnographic and interview research offers insight into musicking in particular situations, but seldom compares listeners, artists, and genres in a larger musical field. This study uses a mixed methods approach to examine the bridging and bounding processes organizing relationships between listeners and artists.

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