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There is also a purely musical definition of blues: a progression of chords consisting of four bars of the tonic (I), two bars of the subdominant (IV), two bars of the tonic (I), a bar of the dominant seventh (V 7), a bar of the subdominant (IV), and two final bars of the tonic (I).
11 lis 2018 · When people make cross-modal matches from classical music to colors, they choose colors whose emotional associations fit the emotional associations of the music, supporting the emotional mediation hypothesis.
26 sty 2024 · With its origins rooted deep in the Southern U.S., blues is a classic musical genre that has come to transcend both time and borders and impact people on a global level. The hardship, sadness, and triumph that it represents are universal to the human experience.
10 lip 2018 · Freud defines music as the symbolic center of the ineffable nature of the creative process itself and therefore as a central means of understanding the complexity of the psyche. Freud early confronts what creativity is and relates it to psychic processes (Rauchfleische 1990).
6 sie 2010 · Blues musicians, in creating their art, have captured this concept and often expressed their relationship to place in their music. The application of place attachment and identity theories can tell us much about their affective and cognitive selves.
However, discursive psychological perspectives, rarely addressed in research on jazz creativity, suggest that such views represent social constructions particular to the context of an interview. Musical identity theory offers a means of addressing these constructive processes; talk between musicians could provide a better means of identifying ...
This article presents an overview of theories of meaning that have been, and that may be, applicable to investigating music, particularly its cognitive dimensions. Some theories have had more impact on the scientific exploration of music's significance than others, which have been unduly neglected. Theoretical and empirical research into ...
