Search results
This chapter applies science to unravel the seemingly indefinable elements of nuance, expression, and interpretation in music. Nuance is first defined as a subset of expression and is the manipulation of sound parameters to create music that sounds alive rather than flat and mechanical.
2 paź 2014 · This chapter provides a review of psychological studies of expression and communication of emotions in the performance of music. First, we provide working definitions of key concepts, and consider how performers may conceive of these issues.
31 mar 2016 · Music and cognition refers to the study of musical thinking. In basic terms, it seeks to understand the mental processes involved in listening to, creating, and performing music. Musical thinking is, however, a vast, complex issue that also implicates memory, emotion, language, culture, and the thinking body.
1 sty 2012 · This conception focuses on the capacity of music to resonate with psychological processes that function in human synchronization, and to elicit emotional effects related to these processes.
The text-music relationship refers to the interplay between lyrics and musical elements in a piece of music, where the meaning, emotion, and nuance of the text are enhanced or expressed through melody, harmony, rhythm, and texture.
1 lip 2015 · To bring music and language closer to one another, some researchers have suggested a comparison between music and phonology (“phonological syntax”), but here too, one quickly arrives at a situation of intriguing similarities and obvious differences.
11 lip 2013 · We focus on music characteristics, more precisely the musical structure and performance variables, as the determinant factors of emotional indication, while considering a variety of possible modulatory effects related to listener characteristics and states, the performer, and the listening context.
