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Drawing upon multiple literary, critical, and theoretical tradition, geocritical or spatial literary studies today present many different ways of approaching questions of space, place, or geography and literature.
Need help with Chapter 19: Geography Matters… in Thomas C. Foster's How to Read Literature Like a Professor? Check out our revolutionary side-by-side summary and analysis.
For instance, both Hathaway 1993 and Gesler 2004 discuss how literature functions as a guidebook to geographic themes and topics, while Elbow and Martinson 1980 discusses how specific geographic concepts, such as landscape, can be approached through literature.
Thinking Space is a series of short position papers on key terms and concepts for literary geography. Cumulatively, these accessible and wide-ranging pieces will explore the scope, parameters, and critical vocabulary of the field, clarifying important issues and stimulating discussion and debate.
For both Sharp and Woolf, literary geography means little more than the particular places, landscapes, or regions associated with individual writers, although it can also refer to the various ways in which those geographical entities are reimagined in their texts (Thomas Hardy’s Wessex, for instance).
1.1 What Is Literary Geography? Literary geography is, rst of all, an exploration of place and how place marks literary narratives; as a eld, it sits at the intersection of literary studies and human geography (Alexander, 2015). There is more than one way to do literary geography, since literary geography is, as Barbara Piatti has argued, a ...
19 lis 2013 · Cartography as an analytical tool for mapping real/fictional literary settings is today animating an expanding field of studies. The ‘geography/cartography of literature’ introduced by Moretti in his seminal book Atlas of the European Novel 1800–1900 (1998) still remains a major reference point.
