Search results
Need help with Chapter 19: Geography Matters… in Thomas C. Foster's How to Read Literature Like a Professor? Check out our revolutionary side-by-side summary and analysis.
1.1 What Is Literary Geography? Literary geography is, rst of all, an exploration of place and how place marks literary narratives; as a eld, it sits at the intersection of literary studies and human geography (Alexander, 2015). There is more than one way to do literary geography, since literary geography is, as Barbara Piatti has argued, a ...
For instance, both Hathaway 1993 and Gesler 2004 discuss how literature functions as a guidebook to geographic themes and topics, while Elbow and Martinson 1980 discusses how specific geographic concepts, such as landscape, can be approached through literature.
Thinking Space is a series of short position papers on key terms and concepts for literary geography. Cumulatively, these accessible and wide-ranging pieces will explore the scope, parameters, and critical vocabulary of the field, clarifying important issues and stimulating discussion and debate.
Drawing upon multiple literary, critical, and theoretical tradition, geocritical or spatial literary studies today present many different ways of approaching questions of space, place, or geography and literature.
For both Sharp and Woolf, literary geography means little more than the particular places, landscapes, or regions associated with individual writers, although it can also refer to the various ways in which those geographical entities are reimagined in their texts (Thomas Hardy’s Wessex, for instance).
universal, reappraisal of the place of literature in geography. The perception that literary narratives are composed of ‘flights of imagination’ (Mallory and Simpson-Housley 1987), which bear little more than a tangential or derivative relationship with reality, can no longer be sustained.
