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16 kwi 2019 · The untold stories of Japan and China’s extraordinary female filmmakers are finally coming to light. Harriet Constable finds out how – and why now.
This article attempts to deconstruct the masculinised contract among the war narrative, popular culture, and Chinese nationalism by exploring the roles of women in Nanjing Massacre films...
This article analyzes recent cinematic portrayals of sexual violence committed during the second Sino-Japanese War, concentrating on films about the Nanjing Massacre. In China, where remembering is...
Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses.
10 mar 2022 · They linked motherhood with an inherently peaceable nature, creating a sympathetic image of Chinese women as non-violent and unwilling spectators to the suffering of others.
Foregrounding Chinese women’s complex negotiations with global and local politics, cinematic representation, and issues related to gender and sexuality, the anthology aims to reassess and revise theoretical, political, and academic frameworks for transnational feminist research on women and cinema.
Common scenes in photographs and documentary films of the Cultural Revolution (1966–1976) are the human waves of male and female youths on Tiananmen Square eagerly presenting themselves as if they were graced by an audience with their idol, China’s ruler, Mao Zedong.
