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  1. The history of African music during the twentieth century is the result of complex social, cultural, and musical processes. These processes must be seen against the backdrop of the continent’s continuing attempts to come to terms with the colonial legacy; the challenges and conflicts of the postcolonial present; and the changing place of ...

  2. Francis Bebey. (Re)constructing African music. In the interconnected global ethnoscape of the late-twentieth century, the aesthetics of ‘art’ and popular music alike increasingly bore the mark of hybridity and cultural crossover.

  3. In the interconnected global ethnoscape of the late-twentieth century, the aes-thetics of ‘art’ and popular music alike increasingly bore the mark of hybridity and cultural crossover.

  4. In this chapter I emphasize African modernist musics in the period that overlaps with other global modernisms, particularly from the early twentieth century through to 1944, the date of the Brazzaville conference where the French colonies began

  5. 17 sie 2021 · As part of the study findings, these years were divided into the following four periods: the foggy years (1922–1944); the interactive-budding period (1945–1969); the liberal period...

  6. 3 gru 2023 · The 20th century period of music, as its name suggests, began around 1900. It is the last of the six periods of classical music eras and comes after the romantic era that ended around 1910AD. Medieval era (500-1400AD) Renaissance era (1400-1600AD) Baroque era (1600-1750AD) Classical era (1730-1820AD) Romantic era (1800-1910AD)

  7. A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization.

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