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  1. Stanley George Miller (born October 10, 1940), better known as Mouse or Stanley Mouse, is an American artist who is notable for his 1960s psychedelic rock concert poster designs and album covers for the Grateful Dead, Journey, and other bands.

  2. Stanley designed the covers for Grateful Deads debut album as well as the compositions used for the covers of the band’s Workingmans Dead, American Beauty, Europe ’72, From the Mars Hotel, and Terrapin Station albums, and Jerry Garcia’s Cats Under the Stars album cover.

  3. www.artnet.com › artists › stanley-mouseStanley Mouse - Artnet

    Stanley Mouse is an American artist best known for his psychedelic, Art Nouveau-influenced concert posters created for the Grateful Dead. View Stanley Mouse’s artworks on artnet. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices.

  4. Stanley George Miller, better known as Stanley Mouse, is an American artist known for his 1960s psychedelic rock concert poster designs and album covers for the Grateful Dead, Journey, and other bands. Mouse has produced some of the most lasting visual images in rock history.

  5. 12 gru 2021 · The album art was designed by Alton Kelley and Stanely Mouse, and introduced the terrapin turtle icon to the lore of the Grateful Dead, which are defined by the lyrics to “Terrapin Station”. We’ve written all about the Grateful Dead turtles and the Terrapin Station cover art in a full feature that you can find here .

  6. 29 kwi 2009 · Creating images such as Zig Zag Man, psychedelic posters for the Fillmore Auditorium and the Avalon Ballroom, the skull and roses motif for the Grateful Dead, and the flying horse for the Steve Miller Band’s album Book of Dreams, Stanley Mouse has created among the most iconic artwork of our time. His art has come to visually represent bands ...

  7. 27 lip 2021 · To represent a visual for the album, the band turned to artists Alton Kelly and Stanley Mouse, with whom the Dead had collaborated on the artwork for Europe ’72. It was their job to take this grand ambiguous nirvana of ‘Terrapin Station’ and represent it artistically.

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