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It is the interplay between light and color that sparks the imagination. It is one of the most unchanged crafts, still taking, as it did centuries ago, time and patience, and an appreciation for color and line design. Stained glass comes in three basic forms today: leaded, art, and faceted.
16 wrz 2019 · Stained glass windows combine different colors of glass in a panel to make an image. The earliest examples of stained glass were done for the early Christian church in the 2nd–3rd centuries CE, although none of those survived. The art was inspired by Roman mosaics and illuminated manuscripts.
28 kwi 2019 · Though often associated with windows and places of worship, stained glass has been adopted and adapted for all kinds of art, from ancient cups to contemporary installations. Before we trace the age-old history of stained glass, however, it's important to understand the medium's key characteristics.
Stained-glass windows, made up of coloured and painted glass pieces held together by lead strips, were especially popular in Europe in the period between 1150 and 1550, when they were a prominent feature of cathedrals and other churches, as well as city halls and homes for the elite.
In addition to Christian churches, stained glass windows have been incorporated into Jewish temple architecture for centuries. Jewish communities in the United States saw this emergence in the mid-19th century, with such notable examples as the sanctuary depiction of the Ten Commandments in New York's Congregation Anshi Chesed.
One of the most widespread forms of painting, stained glass inspired the lives of the faithful through religious narratives in churches and cloisters, celebrated family and political ties in city halls, and even decorated the windows of private houses.
In Europe, the art of stained glass reached its height between 1150 and 1500, when magnificent windows were created for great cathedrals. Most of what is known about medieval stained-glass making comes from a twelfth-century German monk who called himself Theophilus.
