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  1. www.slideshare.net › slideshow › social-realism-108751693Social realism | PPT - SlideShare

    6 sie 2018 · Social Realism was an art movement from 1929 to the late 1950s that depicted realistic representations of the working class and poor during times of economic hardship like the Great Depression. Artists aimed to bring awareness to social issues through paintings, photographs and other media showing the lives and conditions of everyday people.

  2. 27 lut 2008 · Social Realism depicts the daily struggles of the working class as a reaction to Romanticism. It originated in England and Scandinavia in the 19th century through works of authors like George Eliot and Georg Brandes.

  3. 21 lut 2016 · Realism in art attempts to represent subjects truthfully without artistic conventions or supernatural elements. In the mid-19th century, artists felt they should portray everyday political and social issues realistically rather than romanticized views.

  4. Function of Realism • The function of Realism movement in art was direct observation of society and nature, and political and social satire. Due to society’s many economic changes, art also saw numerous changes: Museums and collectors became the new patrons. Newspapers and journals reached wider audiences • It was rejected for ...

  5. Get ready to take your students on a journey through history with this engaging PowerPoint and Google Slides template designed for educators passionate about integrating social realism and vintage collage art into their curriculum.

  6. Download ppt "Social Realism An artistic movement that depicts social hardships and injustice through the unvarnished portrayal of the working class." The beginnings of Social Realism Began in the 1930’s as a reaction against Romanticism. Originally, people were outraged by it – it was too “real.”

  7. 9 lip 2014 · Art History instructor Kathleen Grisham says of Social Realism, “[The movement] focused on the ugly realities of contemporary life and sympathized with working-class people, particularly the poor. [The artists] recorded what they saw (‘as it existed’) in a dispassionate manner.”

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