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In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg 's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of post-tonal thinking.
Often-cited examples include the choice of keys in the development of the finale to Mozart’s Symphony no. 40. Conversely, there are 20 th-century composers who wrote music that is serially organized in the sense that we would recognize, but in such a way as to embrace the sound world of an extended tonality (Example 1). Examples of this include:
This is an incomplete list of musical pieces composed in the twelve-tone technique and pieces that use serialism. ... Au delà du hasard (premier "commentaire" de "Affranchi du hasard" et du "Temps restitué") for four instrumental groups and one vocal group (1958–59) ...explosante-fixe... II.
Often-cited examples include the choice of keys in the development of the finale to Mozart’s Symphony no. 40. Conversely, there are 20 th-century composers who wrote music that is serially organized in the sense that we would recognize, but in such a way as to embrace the sound world of an extended tonality (Example 1). Examples of this include:
20 cze 2024 · In this article, we’ll take a look at 10 of the greatest serialist composers who pioneered the use of these techniques, from the original innovators of twelve-tone music to the total serialists and beyond. Read on to learn more! 1. Josef Matthias Hauer (1883–1959)
Serialism is a method of composition that uses a series of values to manipulate different musical elements, such as pitch, rhythm, dynamics, and timbre. It emerged in the early 20th century, aiming to bring structure and organization to music, moving beyond traditional tonal frameworks.
serialism, in music, technique that has been used in some musical compositions roughly since World War I. Strictly speaking, a serial pattern in music is merely one that repeats over and over for a significant stretch of a composition.
