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The Transfiguration is Raphael´s most ambitious altar painting (Vatican Pinacoteca, MV.40333.0.0). It even includes an episode which is not part of this biblical passage: the Apostle´s failure to exorcise a possessed man.
In Raphael’s Alba Madonna (c. 1510), a High Renaissance masterpiece, the three figures of Mary, Jesus, and John the Baptist define a broad pyramid within the circular format of the painting, conveying strength and stability.
The Transfiguration is the last painting by the Italian High Renaissance master Raphael. Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael.
The Transfiguration - by Raphael. The composition of The Transfiguration is divided into two distinct parts: the Miracle of the Possessed Boy on a lower level; and the Transfiguration of Christ on Mount Tabor, in the background.
Raffaello Sanzio, The Transfiguration. Cardinal Giulio de' Medici (the future pope Clement VII) commissioned two paintings for the cathedral of S. Giusto of Narbonne, the city of which he had become bishop in 1515.
Title: The Resurrection of Christ. Creator Lifespan: 1483 - 1520. Creator Birth Place: Urbino, Italy. Date: 1499 - 1502. Técnica: Óleo sobre madeira. Physical Dimensions: w47 x h56,5 cm. Author:...
