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3 gru 2020 · The book profiles ten Filipino artists who have been doing work that reflect their critical responses and views on the sociopolitical realities of Philippine society. It focuses on their inner lives and the influences that led them to who they are today and what they do as artists.
1 mar 2019 · The essay reflects on the practice of the Filipino art critic and art historian Alice Guillermo. Surfacing in her practice are such theoretical concerns as the social presence of art and the specificity of the artistic material in relation to its contexts.
a broad sense, we study Philippine art as produced within the context of national conditions, social, economic, and political in a particular period of history, as for instance, the second half of the 19th century, the postwar period to the 60’s, or the Marcos regime.
The spatial relationship between CNU and NCCA in the governance structure of cultural affairs in the Philippines was a legitimate means of advancing, preserving and developing the culture and the arts of the country through the training of Filipino educators that is responsive to the multicultural needs of the Filipinos to improve their quality ...
For not even centuries of colonial experience and Western education have successfully peeled off from the Filipino psyche the belief and trust in the ability of the faith healer to restore a person’s well-being, which can only be ensured if both spirit and life-force within a person are in harmony.
Our arts are not just expressions of our values, beliefs, practices and traditions, they are also expressions of our talents, skills and abilities. Filipino arts is a showcase of the ingenuity, the passion, the talents of the Filipino. Hermeneutic – Art Interpretation - An art could convey different meanings to different audience.
Looking at the legacy of 1970s social realist painting in the Philippines, Patrick D. Flores reflects on the intersection of postcolonial discourse, historical imagination and political art practice. To name and annotate a practice is one stage in the discursive struggle of the term ‘social realism’ in the Philippines.
