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Dante has journeyed through Heaven, the realm of God’s light, a place impossible for a mortal to fully remember, much less describe. Nevertheless, he calls upon God for help in writing as much as he can. Dante and his beloved, Beatrice, begin their journey a few days after Easter Sunday. From the Earthly Paradise at Purgatory’s summit, the ...
- Canto 1
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- Canto 1
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.
Paradiso is the third and concluding part of The Divine Comedy, Dante Alighieri’s three-part epic narrative poem. It completes the allegorical journey initiated by the first two parts, Inferno (Hell) and Purgatorio (Purgatory).
Dante observes the model of the nine Angelic Intelligences orbiting a shining Point. Beatrice explains the discrepancy between it and the material universe. Beatrice tells Dante the Creation story, explains the order of the universe, and clears up the question about the number of extant angels.
Need help with Canto 1 in Dante Alighieri's Paradiso? Check out our revolutionary side-by-side summary and analysis.
Brief Breakdown of Paradiso 1: The Commedia gets harder as you keep reading. Dante is quite explicit about the challenge that he poses to the reader in Paradiso: at the beginning of Paradiso 2, he tells the reader to turn back to shore, lest we get lost as we follow him onto the watery deep.
After serving as a White Guelph delegate during Pope Boniface VIII’s occupation of Florence, Dante was fined and exiled by the invading Black Guelphs, under threat of execution if he stayed. (Dante has his ancestor, Cacciaguida, prophesy his exile in Canto 17.) He never returned to his home city.
