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15 wrz 2014 · Research has shown that narratives can be used to sway beliefs about numerous science topics, such as vaccines , proenvironmental beliefs , and HIV/AIDS , and science communicators could leverage the influence of narratives to persuade otherwise resistant audiences about issues related to science.
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Chętnie wyświetlilibyśmy opis, ale witryna, którą oglądasz,...
- Gaining Trust as Well as Respect in Communicating to Motivated Audiences About Science Topics
Gaining Trust as Well as Respect in Communicating to...
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the science education literature (7, 25). Responding to...
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6 paź 2024 · This primer aims to dive deeply into prose as an art form by exploring its definition, development, styles, prominent authors, and genres, as well as examples of key works that highlight its versatility and enduring power.
9 lip 2019 · This article reviews scientific research on narrative journalism, aiming to (1) demystify the nature of narrative journalism by specifying its core characteristics, resulting in a sustainable definition of the genre; (2) characterize the current state of the scientific field; and (3) identify gaps in our knowledge about narrative journalism.
27 maj 2016 · This chapter focuses on the ideas of narrative thinking and storytelling in school science education. In distinguishing between narrative and paradigmatic (or logico-mathematical) thinking,...
The Narrative Science Approach. Kim M. Hajek. Abstract. In current English, the term ‘narrative covers a lot of conceptual. ’. ground from an overarching position on some big issue, to all. –. kinds of storytelling, to a general attention to language or metaphor.
At its simplest, a narrative is a sequence of events with a beginning, a middle, and an end. In this sense, narrative is endemic to science itself—the creation of the universe, the life history of a butterfly, and the action of an antibody on a pathogen are all essentially narrative events.
22 cze 2017 · The chapter focuses on epistolarity as a disjunctive narrative form marked by distance and by absence and on the counternarrative aspects of lyricism, based on its tendency to fragmentation, allusiveness, metaphoricity, formalism, and affectivity.
