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Musical Gesture and Extra-Musical Meaning: Words and Music in the Urdu Ghazal* BY REGULA BURCKHARDT QURESHI INCE ETHNOMUSICOLOGISTS SELDOM ENCOUNTER music outside of Sperformance, they have not found it easy to consider their musical data as musical objects abstracted from it. And being outsiders to the
موسیقی کی پہلی کتاب | ریختہ. مصنف : خالد ملک حیدر. ناشر : پلس کمیونی کیشنز، لاہور. سن اشاعت : 2009. زبان : Urdu. موضوعات : موسیقی. صفحات : 82. معاون : حیدر علی.
1 gru 2012 · This article focuses on narrative to explore practices of interpretation in both scholarship and everyday discussion about popular songs. It emphasizes the intersubjective interpretation of song meanings and advocates an “intercontextual” approach to the understanding of song narratives, drawing from research which emphasizes how our ...
listen to music narratively in the first place, targeting not just the sensory details of perception, but the actual existence (or not) of an actual mode of perception—namely, narrative listening. To address the phenomenon of narrative listening and the role culture plays in its deployment, narrative responses to music were
The first article discusses how the musical underscore in narrative media achieves meaning in multimodal interplay with the visuals and other available modes of representation. Three short film scenes are examined from the perspectives of ideational, interpersonal and textual meanings.
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The Musical Narrativity in Contemporary Music as an Analytical Strategy. Introduction. “Narrativity,” an area of contemporary literary theory, has attracted scholarly attention and evoked lively arguments in multiple disciplines.
