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Introduction. “Narrativity,” an area of contemporary literary theory, has attracted scholarly attention and evoked lively arguments in multiple disciplines.
18 kwi 2020 · All the music mentioned in this article follows suit, using various techniques, styles, and approaches to craft unique emotive and story-based narratives. In turn, this narrative architecture ushers the listener in and puts the concept, ideas, and beliefs on a pedestal for the audience to take at their leisure.
the complex process of live musical performance: a “concert story” told by the musician in front of the live audience in the performance situation and a structured complex of verbal and non-verbal narrative in the studio during the process of performance preparation.
This overview of the development of narrative theory in music charts the course of three “waves” of narratological engagement with music: 1) the scholars of the 1980s, such as Anthony Newcomb, Susan McClary, and Patrick McCreless, whose work focused on narrative in instrumental tonal music; 2) a period of critical reappraisal of musical ...
Western instrumental music, the key-note lecture will address the problems of ‘musical narratology’ in particular with respect to one of these narrativity-permitting conditions, namely the absence of
Films are produced using three types of sounds: human voices, music, and sound effects. These three types of sounds are crucial for a film to be experienced as realistic for the audience.
