Search results
musical narrativity, the processes of tension and release unavoidably leads to the question of how a musical work takes shape in the listener’s mind as a temporal organization. However, music narrativity is associated with tonal music. Most ideas of musical narrative have been employed and developed mainly in analyzing tonal music.
This overview of the development of narrative theory in music charts the course of three “waves” of narratological engagement with music: 1) the scholars of the 1980s, such as Anthony Newcomb, Susan McClary, and Patrick McCreless, whose work focused on narrative in instrumental tonal music; 2) a period of critical reappraisal of musical ...
18 kwi 2020 · All the music mentioned in this article follows suit, using various techniques, styles, and approaches to craft unique emotive and story-based narratives. In turn, this narrative architecture ushers the listener in and puts the concept, ideas, and beliefs on a pedestal for the audience to take at their leisure.
Maus, Music as Narrative 7 Instrumental music consists of a series of events, and the easiest anthropomorphism is to treat those events as behavior, as actions.11 Once one begins thinking of musical sounds as actions, rather than just events, the notion of plot or narrative is close at hand. Stories are primarily about human actions, and the story
As is indicated by the title, this presentation deals with implemented narrativity on two fronts within the complex process of live musical performance: a “concert story” told by the musician in front of the live audience in the performance situation and a structured complex of verbal and non-verbal narrative in the studio during the process of ...
emotions: Special moods and emotions are portrayed and amplified in the music. Narrative clues: The music indicates point of view and establishes environments and characters (narrative). The music interprets and illustrates events in the film (connotative). Continuity: The music fills gaps and builds a rhythmic continuity between clips and scenes.
1 sty 2020 · In November of the same year, the annual conference of the American Musicological Society in Baltimore presented a session entitled ‘Text and Narrative’, chaired by Carolyn Abbate, and, at the instigation of Joseph Kerman, a session devoted to Edward T. Cone's The Composer's Voice.
