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  1. musical narrativity, the processes of tension and release unavoidably leads to the question of how a musical work takes shape in the listener’s mind as a temporal organization. However, music narrativity is associated with tonal music. Most ideas of musical narrative have been employed and developed mainly in analyzing tonal music.

  2. Part of the appeal of music may come from the story, or narrative, which music conveys. Narrative is a vessel through which musicians can express stories from their lives to their lis-teners, and these narratives tend to be personal, reveal changes in social attitudes, and be genre-dependent.

  3. 18 kwi 2020 · All the music mentioned in this article follows suit, using various techniques, styles, and approaches to craft unique emotive and story-based narratives. In turn, this narrative architecture ushers the listener in and puts the concept, ideas, and beliefs on a pedestal for the audience to take at their leisure.

  4. Films are produced using three types of sounds: human voices, music, and sound effects. These three types of sounds are crucial for a film to be experienced as realistic for the audience.

  5. 1 sty 2020 · In November of the same year, the annual conference of the American Musicological Society in Baltimore presented a session entitled ‘Text and Narrative’, chaired by Carolyn Abbate, and, at the instigation of Joseph Kerman, a session devoted to Edward T. Cone's The Composer's Voice.

  6. As is indicated by the title, this presentation deals with implemented narrativity on two fronts within the complex process of live musical performance: a “concert story” told by the musician in front of the live audience in the performance situation and a structured complex of verbal and non-verbal narrative in the studio during the process of ...

  7. Western instrumental music, the key-note lecture will address the problems of ‘musical narratology’ in particular with respect to one of these narrativity-permitting conditions, namely the absence of