Search results
The Musical Narrativity in Contemporary Music as an Analytical Strategy. Introduction. “Narrativity,” an area of contemporary literary theory, has attracted scholarly attention and evoked lively arguments in multiple disciplines.
This overview of the development of narrative theory in music charts the course of three “waves” of narratological engagement with music: 1) the scholars of the 1980s, such as Anthony Newcomb, Susan McClary, and Patrick McCreless, whose work focused on narrative in instrumental tonal music; 2) a period of critical reappraisal of musical ...
1 sty 2020 · The question of musical narrativity, while by no means new, is making a comeback as the order of the day in the field of musicological thought. In May 1988 a conference on the theme ‘Music and the Verbal Arts: Interactions’ was held at Dartmouth College, Hanover, New Hampshire.
SESSION 1: NARRATIVITY OF MUSIC IN FILM, GAMES, AND MUSICAL IGNATIUS TAN (NANYANG TECHNOLOGICAL UNIVERSITY) Melody of Mistrust of Mutterings: Silent Voice and Narrative Musicality in the Cinema of Yorgos Lanthimos When one thinks of the cinematic oeuvre of acclaimed Greek filmmaker Yorgos Lanthimos, one of
As is indicated by the title, this presentation deals with implemented narrativity on two fronts within the complex process of live musical performance: a “concert story” told by the musician in front of the live audience in the performance situation and a structured complex of verbal and non-verbal narrative in the studio during the process of ...
Materials and methods. We analyzed two publically available datasets of music lyrics. The first dataset [38] contains lyrics from a total of 15,103 songs across six music genres (EDM, Pop, Rap, R&B, Latin and Rock); this dataset includes songs released between the years 1957 and 2020.
Films are produced using three types of sounds: human voices, music, and sound effects. These three types of sounds are crucial for a film to be experienced as realistic for the audience.
