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The Musical Narrativity in Contemporary Music as an Analytical Strategy. Introduction. “Narrativity,” an area of contemporary literary theory, has attracted scholarly attention and evoked lively arguments in multiple disciplines.
16 maj 2024 · In the current research, we provide the first direct test of the Arc of Narrative in song lyrics. Additionally, we examine whether there are differences in the narrative structure across musical genres and between segments (i.e., the beginning, middle, and end of the song).
1 sty 2020 · The question of musical narrativity, while by no means new, is making a comeback as the order of the day in the field of musicological thought. In May 1988 a conference on the theme ‘Music and the Verbal Arts: Interactions’ was held at Dartmouth College, Hanover, New Hampshire.
music involves a similar interaction between concrete musical events and abstract formal patterns (166). Here is the problem: according to the comparison that Newcomb sketches, the shared properties of musical structure and narrative could extend equally well to encompass the orderly succession in a number series. But a game
This overview of the development of narrative theory in music charts the course of three “waves” of narratological engagement with music: 1) the scholars of the 1980s, such as Anthony Newcomb, Susan McClary, and Patrick McCreless, whose work focused on narrative in instrumental tonal music; 2) a period of critical reappraisal of musical ...
26 lis 2019 · What makes people hear music this way? How are their narratives shaped by patterns in the musical piece and by the culture in which they live?
As is indicated by the title, this presentation deals with implemented narrativity on two fronts within the complex process of live musical performance: a “concert story” told by the musician in front of the live audience in the performance situation and a structured complex of verbal and non-verbal narrative in the studio during the process of ...
