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25 sie 1985 · The Cambridge Companion to Medieval Music From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques – the key areas of traditional music
5 mar 2020 · The Oxford Handbook of Music and Medievalism provides a snapshot of the growing field of medievalism in music by bringing together international scholars to explore a wide variety of past and present genres in which medievalism is present.
The Renaissance Reform of Medieval Music Theory. Modern scholars have often portrayed hexachordal solmization – the sight-singing method introduced by the eleventh-century monk Guido of Arezzo – as the diatonic foundation of early music.
3 lip 2017 · Abstract. Medieval discourse about both the theory and practice of music featured much debate about the views of moderni and antiqui from when Guido of Arezzo devised a new way of recording...
The Cambridge History of Music comprises a group of reference works concerned with significant strands of musical scholarship. The individual volumes are self-contained and include histories of music examined by century as well as the history of opera, music theory and American music.
This essay aims to expand on existing narratives of medieval music performance by exploring recent interpretations of the troubadours. Recent advances in the field of ethnomusicology, popular music …
Shifting the focus from the general notion of memory to the particular medieval method of composing in the mind accord-ing to the strategies of ars memorativa, Berger unravels the “categories and images in terms of which musicians thought about their practice and imagined the materials of their art” (p. 8).
