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21 lis 2022 · Abstract. Music education has been influenced by many people throughout history, but arguably none of them have done so as much as the monk, Guido D’Arezzo. His teaching methods have been embraced and developed by music educators throughout the centuries.
These ideas have been adapted by John Feierabend, a proponent of improvisation in the music classroom. Therefore, many of our modern practices can be traced back to the roots of Guido’s...
The Renaissance Reform of Medieval Music Theory. Modern scholars have often portrayed hexachordal solmization – the sight-singing method introduced by the eleventh-century monk Guido of Arezzo – as the diatonic foundation of early music.
5 mar 2020 · The Oxford Handbook of Music and Medievalism provides a snapshot of the growing field of medievalism in music by bringing together international scholars to explore a wide variety of past and present genres in which medievalism is present.
25 sie 1985 · In nineteen chapters, seventeen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader; the book is a must-have guide for anyone with an interest in listening to and understanding medieval music.
3 lip 2017 · Medieval discourse about both the theory and practice of music featured much debate about the views of moderni and antiqui from when Guido of Arezzo devised a new way of recording pitch in...
This essay aims to expand on existing narratives of medieval music performance by exploring recent interpretations of the troubadours. Recent advances in the field of ethnomusicology, popular music …
