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  1. LITERATURE REVIEW A. The Theoretical Framework 1. English Song 1) Definition of Song According to Griffe (1992, p.3) songs are vocally produced, linguistically meaningful and have melody. So, it can be concluded that song is a piece of music that has words which are linguistically meaningful and sung by a singer.

  2. music through literature, applied to a range of musical genres (symphonic poem, opera, song cycle, solo song and orchestral suite) are suggestive of the wide scope and rich potential of such interdisciplinary work.

  3. Bernard of Clairvaux (1909-1153) preached eighty-six sermons on the Song of Songs, covering only the first two chapters. He was given to obsessive allegorical interpretation in an attempt to purge it of any suggestion of "carnal lust."

  4. Nancarrow identifies three ways in which Lardil burdal songs convey meaning: through the text of a song, through the rhythm (musical meaning) and through interpretations transmitted independently of the song text, what she calls ‘culturally ascribed meaning’.

  5. theory of the thematisation (at the story level) and imitation (by means of linguistic devices and literary techniques) of music in fiction is illustrated through a historical excursus from the 18th-century to contemporary prose narrative.11 Wolf’s concept of the “musicalization of literature” refers to

  6. Song Means: Analysing and Interpreting Recorded Popular Song. Allan F. Moore. Chapter 1 . Methodology. Introduction. Who are you? How do you define yourself, your identity? The chances are that who you believe yourself to be is partly founded on the music you use, what you listen to, what values it has for you, what meanings you find in it.

  7. Characteristics of Songs and poems. They employ repetition —songs would have a refrain or chorus to emphasize the mood and create rhythm. They have direct address of the audience for immediacy of expression. They carry direct translation of original language for local flavour or authenticity.

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