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23 mar 2006 · Abstract. This book challenges the traditional use of Deleuze's philosophy to examine European art cinema, exploring how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time, it combines a Deleuzean approach with a vast range of non-traditional material.
The first sustained analysis of Deleuze and national identity, this book brings together film theory and film history. It explores how Deleuze can be used to analyse national identity across a range of different cinemas, including North America, Britain, Germany, Hong Kong, Japan, South Korea, Italy and Poland.
Martin-Jones uses the jumbled and ambiguous narrative structure to problematise gender issues. He signals that the film's recollection-images have similarities to those of Vertigo in terms of the plot's ‘indiscernible female double’.
13 mar 2020 · This article considers the content and reception of David Martin’s The Religious and the Secular (1969), a brilliant text whose revolutionary implications were overlooked by most of the next two generations of secularization scholarship because it was so far ahead of its time.
This article considers the content and reception of David Martin’s The Religious and the Secular (1969), a brilliant text whose revolutionary implications were overlooked by most of the next two generations of secularization scholarship because it was so far ahead of its time.
8 kwi 2021 · David Martin-Jones commences his ambitious and impressive new book, Cinema Against Doublethink, with a clever but confusing analogy, combining the famous thought experiment concerning Schrödinger’s cat with an imaginary installation of conceptual art.
13 mar 2020 · David understood the role and value of education in shaping lives. He often spoke of ‘ formation ’, placing the accent on the last syllable, to refer to its meaning in French, that described education, or at least a good education, more accurately, as a deeply transformative process.
