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  1. www.makenoisemusic.com › synthesizers-and-controllers › resynthesizerResynthesizer – Make Noise Music

    Pairing the Spectraphon with the Morphagene and the core Make Noise CV generation suite, and housed in the powerful and portable 4 Zone CV Bus Case, the ReSynthesizer is an open design blackboard ready for experimentation and discovery. We’ve put this collection through its paces and have found it to hold up to any test we throw at it— we ...

  2. 30 paź 2024 · Make Noise ReSynthesizer · Source: Make Noise. The new Make Noise ReSynthesizer is a complete Eurorack system built around the innovative Spectraphon and Morphagene resynthesis modules. Based on a demo system created for the Spectraphon launch, the ReSynthesizer features all the highlights from eight years of module design. ADVERTISEMENT.

  3. www.markbass.it › product › markbass-super-synthMarkbass Super Synth

    The SUPER SYNTH turns your bass into a synthesizer—with seriously cool sounds and no tracking delay! It also doubles as a digital octaver, with both octave up and octave down layers. The parameters of the pedal’s presets can be modified using the Markbass Pedal Controller software.

  4. 6 dni temu · One of the more common techniques is to separate the sub-bass (keeping it clean and in mono for clarity) and add layers for mid-range and upper harmonics. I’ll usually create: One: A sub-bass layer below 80Hz. Two: A mid-bass sound around 100Hz-200Hz with slight distortion.

  5. 20 lip 2020 · In this official Novation video, synth guru Chris Calcutt (-Calc-) explores the possibilities of sound design with the Bass Station II. The video is from a live streaming presentation, and starts about 2:14 into the video embedded above.

  6. Dynamic sound source and preset browsers, with tagging and favourites. Wavetable engine with over 200 scannable wavetables and 14 warp modes. Powerful drag+drop Macros for performance and creative sound design. Expressive 32-step Motion Designer with unique, per lane length and rate.

  7. 28 cze 2024 · In the analogue realm, by layering oscillators and applying precise filtering and modulation, we can shape bass sounds that fit perfectly to fill the frequencies our track needs, whether that’s a deep sub or a cutting mid-range bass – or a sound that has elements of both.

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