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In his discussion of “The Lied in performance,” renowned pianist, Lieder accompanist and scholar Graham Johnson points to a time (the 19th century) when the Lied was “still all-encom-passing, still nominally something for everyone,”1 and poses the question to whom and how much these songs matter today: “I daresay that even the greatest Lied enth...
In his Essay on the Origin of Language, Herder focuses on language as the specifically human trait that distinguishes humanity from all other species on the one hand and the creator of human differences and diversity of cultures on the other hand.
5 wrz 2008 · This introductory chronicle of this fascinating genre analyzes the Lied in its musical, literary, and cultural contexts--with chapters devoted to focal composers; influence of the Lied on other musical genres; use as a musical commodity and issues of performance.
1 sty 2013 · PDF | This chapter is a selective comparative and critical survey of speculations/hypotheses, since Antiquity, on the phylogenetic emergence of language... | Find, read and cite all the...
Constructing a Language: A Usage-Based Theory of Language Acquisition (2003), children learn the language of their community through a mix of imitation and higher-level abstract reasoning and problem-solving strategies.
1 cze 2021 · Schubert, Schumann, Franz, Mendelssohn-Bartholdy, Wagner, Brahms, Wolf etc. transformed the song into a cultural art form, incorporating images of popular origin into literary-musical structures...
28 wrz 2011 · Summary. By the time that the fiery, fifteen-year-old Wolf (1860–1903) from the town of Windischgraz in what was then Lower Styria (now Slovenjgradec in Slovenia) arrived in Vienna in 1875 to study at the Conservatory, the Lied had a rich history and an immense repertory, with more songs rolling off the presses each year.
