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In order to understand how the Laban's effort shape theory can be related to therapy it is important to understand a bit more about the work of Rudolph Laban. Laban's language of movement attempts to put into words the non-verbal forms of communication that the body is constantly engaged in.
W angielskiej wersji Antrieb został przetłumaczony jako Effort. Już w 1912 roku Laban zaakceptował zbieżności i zaznaczył różnice pomiędzy rytmem muzycznym i rytmem tanecznym; kroki taneczne wykazują podobieństwo z policzalnym systemem metrycznym ale gesty nie.
This paper explores the principles of Laban's effort shape theory and presents a language for understanding and qualifying movement. It goes into detailed examples of how the Laban's theory has found its place in the therapeutic domain.
In this chapter, we will take a deep dive into how Laban Movement Analysis (LMA), a method primarily used in dance for analyzing human movement and preserving choreography, can be used effectively as a tool for improving kinesthetic awareness and heightening the expressivity of a musical performance.
Download Free PDF. The Moving Researcher: Laban/Bartenieff Movement Analysis in Performing Arts Education and Creative Arts Therapy. Ciane Fernandes. Preface by Regina Miranda. Collaborators: Jackie Hand, Júlio Mota, Melina Scialom, Rosel Grassmann, Susanne Schlicher.
Laban Movement Analysis is a theoretical and experiential system for the observation, description, prescription, performance, and interpretation of human movement. ―LMA provides a rich overview of the scope of movement possibilities.
Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban, which was developed and extended by Lisa Ullmann, Irmgard Bartenieff, Warren Lamb and others.