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  1. The focus now is on well‐publicized legal threats and actions on a relatively small group of individuals to discourage overall music file sharing. To determine the resulting impact of these legal threats, we passively tracked online file‐sharing behavior of over 2,000 individuals.

  2. 10 sie 2022 · It took more than two decades for Congress to re-evaluate how to protect DRM, especially in regulating live streaming of digital music. Estimates of American household use of streaming services cite a figure of 20% of households accessing an illegal pirate website to stream content for which the copyright owner is never reimbursed.

  3. Many people who engage in music piracy do not believe they are doing anything wrong. Is it wrong to freely distribute and download copyrighted music over the Internet? (Most certainly.) This article outlines the ethicality of file-swapping and provide ethical alternatives and recommendations based on the ethical decision. Piracy and Bootlegging

  4. 22 lut 2021 · This study seeks to find the relevance of traditional copyright laws in the digital age, their relationship with the piracy issues in music industries, and a possible way to control ongoing ...

  5. 20 gru 2021 · The two major performance rights organizations (PROs)—American Society of Composers, Authors and Publishers (ASCAP) and Broadcast Music, Inc. (BMI)—offer blanket licenses for millions of works, albeit under strict regulation by the Department of Justice (DOJ) to deter market power abuses.

  6. 19 wrz 2020 · This article identifies and discusses some significant problems of argument and evidence surrounding these criticisms, as follows: (a) a dubious focus on ‘per-stream’ rates offered by music streaming services, (b) a failure to see streaming services as part of wider systems of music and ownership, (c) tendencies towards simplification when ...

  7. 27 maj 2021 · This report is the latest in a series of nearly a dozen studies published by the National Recording Preservation Board of the Library of Congress. Authored by copyright scholar and former music librarian Eric Harbeson, the report is free of charge and can be found online at: go.usa.gov/x6q7B.

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