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  1. The document provides an overview of the history of Philippine music. It discusses the three main influences: indigenous traditions, Spanish-European influenced traditions, and American influenced traditions.

  2. samplings of the various types of material of value to the music scholar in historical. chronology: 1500-1750; 1750-1900; 1900-1950; and 1950-present, with emphasis on the last period, when true musicological and ethnomusicological scholarship began.

  3. Musical Renderings of the Philippine Nation is an absorbing and ambitious account of democracy in the twentieth-century Philippines that transports the reader well beyond the “musical renderings” of the title.

  4. 28 mar 2011 · Abstract. This book is a cultural history of the Philippines from 1898 to1998, outlining the role of music in defining nation and the influence of national-level politics on shaping musical expression. The work traces three themes that suffuse the musical articulation of nation and nationalism.

  5. The stated purpose of these publications is to provide an accessible entry point into the understudied history of the intersections of musical practices and developing nationalist expression in the Philippines between 1880 and 1941.

  6. The document discusses the evolution of music in the Philippines from indigenous music to contemporary genres. It describes traditional folk music genres like kulintang and rondalla that blend indigenous and Hispanic influences. It also outlines the development of popular music genres like OPM and Manila sound.

  7. This researcher aims to address the urgency of collating existing Filipino recordings that have survived the ravages of time and oblivion. The first recording ever of Filipino music was done in 1906 in Louisiana, USA by musicologist France Desmore.

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