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This paper tackles and examines its nuance to contradictions of culture and identity and how the transnationalism of pop culture, like K-pop music, contributes to the development of culture and society in the Philippines in recent history.
Musical Renderings of the Philippine Nation is an absorbing and ambitious account of democracy in the twentieth-century Philippines that transports the reader well beyond the “musical renderings” of the title.
28 mar 2011 · This book is a cultural history of the Philippines from 1898 to1998, outlining the role of music in defining nation and the influence of national-level politics on shaping musical expression. The work traces three themes that suffuse the musical articulation of nation and nationalism.
Musicology in the Philippines. CORAZON C. DIOQUINO (QUEZON CITY) This report aims to give a picture of the state of musicological studies Philippines. It includes studies on music transmitted by oral tradition musicological) as well as research done on written music (musicological).
The stated purpose of these publications is to provide an accessible entry point into the understudied history of the intersections of musical practices and developing nationalist expression in the Philippines between 1880 and 1941.
The document provides an overview of the history of Philippine music. It discusses the three main influences: indigenous traditions, Spanish-European influenced traditions, and American influenced traditions.
This paper presents an overview of the classical era of music in the Philippines and the pre-war art music manuscript collection of the University of the Philippines (UP) College of Music that needs immediate preservation and restoration.
