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29 gru 2014 · Direct link to the lesson: http://www.yourmusiclearn.com/dissonant-chords/Free registration: http://www.yourmusiclearn.com/take-the-tour/
If you play a chord progression C F G so you establish a tonality in C and then play G-C then it will sound as consonant as it can get. If you play C-F in the key of C it will sound dissonant.
You can also use fully diminished chords: 1, b3, b5, bb7 or C, Eb, Gb, Bbb in the key of C. Something you’ll notice is that there is a fully diminished chord in a flat 9 chord. Fully diminished arpeggios also sound really angry.
Learn how to make dissonant piano chords sound beautiful! You'll learn 3 dissonant chords, how to transform them, and how to use them in chord progressions.
In the key of C, Fm - C. It works because of voice leading. F is already pulling at the tonic because of the F that wants to resolve to the E, but the A is kind of there and not doing much.
23 sie 2014 · The consonance or dissonance of a chord is related, but it's not a very strong relationship in many cases. The best example I can think of is sometimes a very dissonant, tense chord structure resolves to a target chord. For instance C#dim7 may resolve to Dmin7, or Eb7#11 may resolve to Dmaj7.
By-the-book music theory tells you that if you play a dissonant chord, you need to resolve that dissonance by playing a consonant chord just after (and not any consonant chord either, there are lotsa rulez to pick the right one)
