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  1. Understanding gestural coding of music by exploring the links between sonorous and gestural images in musical memory and imagery. Demonstrate practical applications of musical gestures as tools in performance, improvisation, composition, and music education.

  2. The EMI introduces a framework for capture and analysis, of specific musical gestures, and extends the piano-like model to a 3D interaction paradigm, where higher-level musical parameters, such as sound effects, can be controlled continuously by upper-body free movements.

  3. For this purpose, Alexandra Pierce's embodied analytical exercises will be used, those which enable the performer to explore gesturally the expressive meaning of a musical piece. It will be demonstrated that musical gesture supports performance-oriented analysis more than we think, know, or imagine.

  4. 1 lis 2012 · This hermeneutic research project focused on interpreting the gestures of two music therapists and their clients while they were engaged in playing or listening to music.

  5. 16 wrz 2010 · We address the issue of mapping between gesture and sound for gesture-based control of physical modeling sound synthesis.

  6. 1 sty 2009 · Music-related body motion is often differentiated into the main categories of sound-producing motion, e.g., such as hitting, stroking, kicking, bowing, blowing, and sound-accompanying motion,...

  7. 5 gru 2016 · Placing a performing body in partnership with interactive video and acousmatic sound (sometimes in a controlling relationship, sometimes in opposition) reveals to us new insights about both the nature of bodily gesture in performance, and the many roles that technology can play in contemporary music.

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