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As humans are evolved animals, we propose a nonanthropocentric framework based on animal signaling theory to understand the evolutionary foundations of human art, instead of a classical ...
16 gru 2013 · Our review highlights how the three perspectives shed light on categorical dynamics in creative industries, while building on different levels of analysis, involving different number and types of actors and yielding different insights depending on the stages of industry evolution.
14 lut 2020 · While numerous studies address the broader intersection of nature and the arts, I only found three that in fact apply arts-based methods to gain insights about human-nature connectedness (see Table 1 for an overview).
15 mar 2013 · Stephen Davies’ The Artful Species links some of our aesthetic sensibilities with our evolved human nature and critically surveys the interdisciplinary debate regarding the evolutionary status of the arts.
This framework helps to integrate findings of consumption surveys and to explain the emergence of new artistic genres as a form of ritual classification. Societies' artistic classification systems vary along four dimensions: differentiation, hierarchy, universality, and boundary strength.
28 kwi 2018 · Art is an intrinsic feature of human life. There is no culture and no era of time that does not have its own repertoire of art forms. It is indisputable evidence that the human capacity for knowing from within is a powerful force in shaping human meaning systems.
Both artist and viewer participate in art’s communication whose underlying cognitive bases are symbolic and abstract, not unlike language’s underpinnings in this regard. Exploring the distant evolutionary times of our genus, Homo sapiens, provides clues into why and how the arts emerged.
