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Originating in the Baroque period, it combines elements of both secular and sacred music, and often tells a story or conveys a message through its text and music. The cantata serves as a bridge between the oratorio and the more intimate vocal forms, playing a crucial role in the evolution of choral and orchestral music.
cantata, (from Italian cantare, “to sing”), originally, a musical composition intended to be sung, as opposed to a sonata, a composition played instrumentally; now, loosely, any work for voices and instruments.
Kantata – niesceniczna forma muzyki wokalno-instrumentalnej; najczęściej rozbudowana, wieloodcinkowa; wykorzystująca różne gatunki tekstów literackich, mające różne funkcje. Ukształtowała się, podobnie jak oratorium i opera, na początku epoki baroku. Była szczególnie popularna w XVII i XVIII wieku (A. Scarlatti, G.P. Telemann, J.S. Bach).
19 lut 2024 · Definition of a Cantata. The word cantata translates from the Italian “cantare” meaning literally “to sing.” It was originally described as a musical composition where the composer intended the work to be sung.
A cantata (/ kænˈtɑːtə /; Italian: [kanˈtaːta]; literally "sung", past participle feminine singular of the Italian verb cantare, "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
Definition. A cantata is a vocal composition that typically includes multiple movements and can involve soloists, choir, and instrumental accompaniment. Often associated with the Baroque period, cantatas were used in both sacred and secular contexts, serving as a musical form that conveyed stories or themes through text and melody.
‘Cantata' means, simply, ‘sung’ – surely the one thing about a piece of vocal music that’s so obvious it doesn’t need stating? In reality, the fact that such a designation was felt necessary is a symptom of a remarkable change that happened in European art music.