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  1. In the case of Benildanze, PaR was used to explore cultural relationships between Spain and the Philippines. This article focuses on these three academic approaches to research in Filipino folk dance, seeing them as a progression that maps onto the academy’s wider research culture.

  2. 1) The document discusses various categories of Philippine folk dances including regional, national, ritual, occupational, festival, and suite dances influenced by Spanish colonization, Muslims, indigenous Lumad groups, and countryside traditions.

  3. In the Philippines, dance is as diverse as the culture intermingling in the archipelago. It encompasses all the dance forms that have been used by the Filipinos through the centuries to express themselves. This dazzling diversity of dances in different forms and dynamics grew out of

  4. 30 sie 2022 · This study will foster nationalism and patriotism, promote appreciation for one's own native dances, and develop awareness for the need to preserve and disseminate traditional dances.

  5. 27 lut 2024 · In shaping traditional Filipino dances, regional indigenous influences play a crucial role, showcasing unique movements and styles that deeply reflect the cultural practices and traditions of various ethnic groups.

  6. This research topic aims to create a Philippine folk dance documentation framework or process of documenting folk dances in the country, facilitate communication, and suggest folk dance documentation output.

  7. Some popular folk dances are identified, including the Carinosa, Kuratsa, Balitaw, Rigodon and Pandango Surtido. The module aims to teach students to define folk dance, discuss its history in the Philippines, identify popular folk dances, and perform fundamental dance positions and techniques.

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