Search results
18 lis 1997 · Music of the Crusades Era. European music, prior to Arab influence which came primarily through involvement in the Crusades, was largely sacred and monophonic in nature. Plainsong chant featured almost exclusively in worship.
22 paź 2020 · This book demonstrates the rich cross-fertilizations between early Christian Crusades and two roughly contemporaneous musical-poetic repertories of Occitania: the sacred, Latin Aquitanian versus and the vernacular troubadour lyric.
In Mapping Medieval Identities, Rachel May Golden explores the topic of crusade in the songs of twelfth-century Occitania, illustrating how song became a vehicle for the formation of crusader identity.
Compare and contrast music of the Middle Ages with today’s contemporary music. “Music of the Middle Ages” by Elizabeth Kramer. From Understanding Music: Past and Present. By Alan Clark, Thomas Heflin, Jeffery Kluball, and Elizabeth Kramer, Edited and revised by Jonathan Kulp and Bonnie Le.
Fassler’s Music in the Medieval West and its accompanying anthology feature their own monument of medieval music to rival Hoppin’s Harpe de Melodie : a fourteenth-century illumination of German poet and minnesinger Henrich von Messan (Frauenlob).
While the first millennium saw the birth of Christianity and the flourishing musical liturgy built principally around psalmody, in the first centuries of the new millennium the study of music theory as a technical discipline remained largely isolated from the fresh artistic tradition.
1 gru 2009 · This kind of music was characteristically composed and executed by clerics—but not monks—attached to urban cathedrals as permanent musical staff. Sometimes these musicians were associated also with the university, specifically the one on the Left Bank.
