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  1. 26 kwi 2021 · Our approach towards the study of music listening in classical concerts is grounded on a theoretical framework that understands a musical experience as the result of a person’s interaction with a musical stimulus in a specific situation (see Figure 1).

  2. 6 sie 2021 · This chapter outlines the work of music for Romantic literature. The Romantic era was a pivotal period in the formation of literature as we now tend to understand it, as a category of imaginative and expressive prose and poetry, and writers deployed music in a number of ways to explore the power, limits, and nature of the literary.

  3. Concerto, since about 1750, a musical composition in which a solo instrument is set off against an orchestral ensemble. The soloist and ensemble are related to each other by alternation, competition, and combination. It is often a cycle of several contrasting movements integrated tonally and often thematically.

  4. 6 sie 2020 · Traditional accounts of concert series have tended to emphasize the permanence and longevity of major institutions such as symphony orchestras and chamber-music societies, a status emphasized by ever more impressive concert halls in cities across the world.

  5. What type of meaning is provided by music in literature? This is pursued by examining the three modernist authors James Joyce, Samuel Beckett, and Hugo von Hofmannsthal, who were all inspired by music, but in different manners. In Ulysses Joyce uses language to...

  6. 1 gru 2022 · The aim of this literature review is to present an overview of the literature on listening modes and, on this basis, to derive categories of modes of listening to subsequently transfer them into a model of music listening in Western classical concerts.

  7. 25 maj 2023 · This chapter explores the roles of music in literature and how the representation of musical sounds, forms, and genres transforms literature. The chapter surveys how music transformation is used in different literary contexts.

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