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24 paź 2023 · This article examines the relationship between music and sociological thinking. Antoine Hennion has shown that learning to play music involves an immersion within a culture that has rules, languages and rituals and as a result ‘music is a form of sociology’ (Hennion 2020, 292).
This concept has been central to social theories of action from Parsons’ role theory to Goffman's dramaturgical metaphor, as well as postmodern theories of gender. Yet it remains curiously underdeveloped in the study of cultural forms, even for performing arts such as music.
21 lis 2018 · Contributing to the emerging scholarly literature on urban live music ecologies, this study enhances the understanding of the social and cultural merits of popular music concerts to cities.
1 sie 2010 · How is the collective production of music made possible? How does music relate to broader social distinctions, especially class, race, and gender?
24 maj 2017 · Comprehensive overview of the sociology of music, considering how it is particularly sociological. Reaffirms music as involving activity and interaction rather than existing as an object. Reviews the literature on musical meaning and music as a technology of the self and establishes the unique importance of music for both social differentiation ...
30 cze 2022 · In order to model whether the social experience of a live Western art music concert predicts the emotional response to the music or the enjoyment of the event, we employed two key theories to derive a suitable model for the social experience: The attention paid to other members of the audience, based on parasocial interaction theory (Horton ...
14 sie 2018 · The society in which we live thus has great import when we consider how to teach music. In unpacking this notion further, research in the field of ethnomusicology provides detailed analyses that explore the interaction and unique relationship that exists between music, culture, and society.
