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24 paź 2023 · Through a range of examples from Howard Becker’s grounding in field research as a pianist in the Chicago jazz clubs and his theories of deviance, to the connection between Emma Jackson’s life as a bass player in Brit pop band Kenickie and her feminist punk sociology, an argument is developed about the things sociologists learn from music.
21 lis 2018 · Contributing to the emerging scholarly literature on urban live music ecologies, this study enhances the understanding of the social and cultural merits of popular music concerts to cities.
This chapter outlines symbolic interactionist approaches to understanding music with a particular emphasis on the sensitizing concepts of subculture, self, identity, community, scene, sense of place, idioculture, interaction, organization, and authenticity.
30 cze 2022 · In order to model whether the social experience of a live Western art music concert predicts the emotional response to the music or the enjoyment of the event, we employed two key theories to derive a suitable model for the social experience: The attention paid to other members of the audience, based on parasocial interaction theory (Horton ...
24 maj 2017 · The field exists because methodological sociology offers a distinct perspective on how music is created, received, and used in everyday life. The contributions of Weber, Simmel, and Adorno (see Classical Sociology) established a sociological pedigree for the subdiscipline.
1 sie 2010 · How is the collective production of music made possible? How does music relate to broader social distinctions, especially class, race, and gender?
16 lip 2020 · For example, on the one hand, joint music-making can be formal, such as in a concert hall performance or church choir. On the other hand, music can be an informal, play-based process such as an improvisation session or perhaps spontaneously starting to play or sing together.
