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Super-Fast Compression, Perfect for Transient-Heavy Sounds. Many compressors aren’t fast enough to handle transients, and generate clicks even with fast attack/release settings. But the CLA-76’s incredibly fast response keeps transients under control—and clicks out of your mix.
CLA-76 Compressor / Limiter. The Key to Hard-Hitting Dynamic Mixes. Unlike the smooth sound of optical control-based compressors, the CLA-76 models the ultra-fast response, and tube-like distortion, of FET control circuitry. This plugin models two CLA-76s, based on hand-picked hardware that represents the best of the many revisions that were ...
To ensure pristine audio quality, the HoRNet H76 features variable oversampling, selectable from 2x to 8x with automatic settings. The bypass button allows for quick A/B comparisons, while separate controls for analog emulation and noise give you the flexibility to customize your sound further.
CLA-3A Compressor / Limiter. Bring Instruments Up Front with Tight, Transparent Compression. The CLA-3A combines solid-state circuitry’s fast attack with the gentle release of optical-based compression. A favorite on guitar, bass, and drums, the CLA-3A models the tight, punchy compression effect that played an important role in high-end ...
From light leveling to heavy limiting. The Variable Mu’s Compress mode is a soft-knee 1.5:1 ratio while the sharper knee Limit mode starts at 4:1 and moves to a more dramatic ratio of 20:1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used.
For an incredibly transparent sound, try the Weiss Compressor/Limiter. For multi-stage algorithmic limiting, try the Flux Elixir. For a very versatile limiter that can handle most genres, try the FabFilter Pro L2.
Fortunately, Sweetwater carries a vast range of industry-tested compressors and limiters, both in rackmount and 500 Series formats, and we're here to help you find the right one for your applications.
