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9 gru 2015 · Is it possible to speak about “Russian comics” within this framework? How was it formed, what was it influenced by? According to a widespread belief, Russian comics are an eclectic mixture of American, Franco-Belgian, and underground influences.
Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture. Read more on the publisher's website.
12 sty 2022 · Very few mainstream comics have been set in the Soviet Union. Exceptions include ‘Corto Maltese in Siberia,’ ‘The Golden House of Samarkand,’ and ‘Superman: The Red Son.’. Photo by Filip Stojanovski (CC-BY 2.0) depicts recent editions of the three comics, published in Serbia.
19 lip 2016 · BUBBLE Comics, Comic Con Russia, and the Country’s Comics Revolution. The nascent Russian comics industry is looking for global reassurance, but can it first change the perception in the...
After 1917, cartoon art became an essential component in Soviet visual culture, and Krokodil magazine (1922–1991) published thousands of images, but the development of graphic satire in the region before the communist revolution was fitful and stunted.
An exhaustive study of post–Soviet Russian comics since 1991, from the rebirth of the art form to its entry into mainstream culture.
At first sight the fortunes of two Soviet cartoonists, Konstantin Rotov (1902–1959) and Boris Efimov (1899–2008), radically differed. Rotov was loved by people for his cheerful drawings but was sentenced under Stalin to fourteen years of prison and exile. Efimov was well treated by a succession of governments, from Lenin to Putin, but ...
