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Water Lilies. On view at The Met Fifth Avenue in Gallery 819. As part of his extensive gardening plans at Giverny, Monet had a pond dug and planted with lilies in 1893. From 1899 on, he repeatedly turned to the subject, attempting to capture every observation, impression, and reflection of the flowers and water.
Plants, water, and sky seem to merge in Claude Monet’s evocative painting of his lily pond at Giverny. The disorienting reflections, bold brushstrokes, and lack of horizon line or spatial...
The monumental scale of these pictures combined with Monet’s bold brushwork and elimination of spatial context have led some critics and scholars to view them as precursors of Abstract...
Water Lilies. On view at The Met Fifth Avenue in Gallery 822. One of Monet’s critics described this canvas of 1919 as waterlilies "in full flower assert [ing] themselves … their golden discs encased in purple, against the cloudy waters."
In 1893 Claude Monet had a water garden designed in Giverny that was inspired by Japanese examples. For nearly thirty years he devoted himself almost exclusively to the motif of the...
this detail highlights. an area composed of blended yellows and greens. The two main pigments, chrome green (left) and cadmium yellow (right), create this mix of warm, natural hues. These colors evoke grassy fronds rising up from the shallow areas of the pond, and suggest reflections of weeping willow branches. Near the center of this panel,
